1/13/2024 0 Comments Instal Arturia Acid VThis seems a little strange when many rival companies to Arturia have dedicated control surface scripts that already have the button mapping taken care of for you. But, surprisingly, there is no dedicated mapping, everything is done through Mackie Control Classic. In Control Mode, BeatStep Pro is easily mapped through Live's own MIDI learn. Thankfully, I was able to easily find a tutorial video that does go into great length on Ableton Live, in particular. ![]() I love my CVs, but I thought I’d go ahead and check out BeatStep Pro as a control surface, first. So, select that lead, start with a 1/4 time division, slide to 1/2, 1/6 and then pound them with a 32nd note break tight enough to send the whole floor in to convulsions. When you’ve selected a specific sequencer within BeatStep Pro, this ribbon becomes the Looper, allowing you to loop specific parts of one sequence, while BeatStep Pro loops the other sequences simultaneously. And, it worked flawlessly, plug and play, without even having to go into MIDI Control Center and configure everything. I had the honor of being able to plug my Roland MC-202 up to the BeatStep Pro’s first internal sequencer, to the CV Gate in and CV Pitch in. It may sound silly, but when you’re setting up, fast, on stage, visual cues are always appreciated. And, nicely grouped and color coded, at that. "The USB Mini Type B splitter is as an Anti-Ground Loop Adapter and avoids any background noise that can occur when CVs are running along with USB audio interfaces " I really want to give Arturia props for going through and having something like this included, rather than just recommending third-party adapters. They actually include a cool USB Mini Type B splitter, termed as an Anti-Ground Loop Adapter that allows you to have your BeatStep Pro plugged into the wall, as well as connected to a USB on your computer, thus avoiding any background noise that can occur when CVs are running along with USB audio interfaces. Though, you do need to configure everything through the laptop, in terms of button mappings, etc. ![]() However, simply plugging the USB Mini Type B connector to a standard USB wall wart does power up BeatStep Pro, just as advertised. I almost thought I’d have to do everything through the computer, which would officially say ‘Not-Standalone’. I was nervous, at first, there is no wall wart. Childs performing on the BeatStep Pro with 3 analog hardware synths (and no computer!): Arturia appears to be a company that understands what the end user is going to see through listening carefully to their customer support. Color me impressed, as installation and firmware updates tend to be the bane of everyone’s existence. All I had to do was power the unit on, and off, and then back on. And, even the firmware update was taken care of for me, upon launching the included MIDI Control Center. Software installation was quick and simple. So, I’d like to applaud Arturia for getting the buyer gratification down out of the gate. And, it’s pretty rare that the quickstart guides are actually helpful. In fact, the box is sturdy enough to act as a short-term road case, until you either make a custom, or find one out there that will work. Arturia obviously spent some time and money on the packaging. Rarely does a company come close to Apple with the kind of awe that takes place after one opens the box and looks inside. However, do I think it’s really going to be what everyone is itching for in terms of MIDI controller, step sequencer and drum sequencer, with an obscene amount of CV ins and outs? Let’s take a stroll through Arturia’s recent creation and see for ourselves. The best selling computer of all time was a tough act to follow.It’s barely hit the streets, and BeatStep Pro is already turning heads! I hadn’t even received the device in the mail, before I’d already had a couple of chance conversations about the highly anticipated device. Here was a digital synthesizer that offered a degree of warmth and character usually reserved for its analog peers flexible voice and modulation controls that didn’t require 10,000 hours of practice to program a workhorse keyboard that produced an unprecedented array of timbres to suit any style, without the stellar price tag of similarly capable instruments.Īfter finding success with the Commodore 64 computer, former MOS Technology engineers Robert Yannes, Bill Mauchly, Bruce Crockett, David Ziembicki, Al Charpentier, and Charles Winterble spent several years on projects that ultimately didn’t materialise. Created by the same engineers responsible for the Commodore 64 - considered the best-selling computer of all time - Ensoniq’s SQ80 was up against stiff competition.Īt the time of its release, the digitization of hardware synthesizers was well under way - but it went on to become a cult classic.
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